Kairós – I [ short film; MXF; WAV, ST 2.0 ] – directed by Susana Gomes Nunes – produced by Bothofus – sonoplasta and sound mixer | 2024 |
Horizonte Artificial [ short film; MXF; WAV, ST 2.0 ] – directed by Cinemalogia course students – produced by Caminhos do Cinema Português – sound supervisor, sound editor and sound mixer | 2019 |
Juneteenth [ short film; MXF; WAV, ST 2.0 ] – directed by Madeline Johnson – produced by FAMU International – sound mixer | 2016 – 2017 |
As Far As Eyes Can See [ short film; MXF; WAV, ST 2.0 ] – directed by Vasagam Ambalavanan – produced by FAMU International – sound mixer | 2016 |
O Segredo das Pedras Vivas [ feature film; 16mm; ¼’’ Analog Tape, ST 2.0 ] – directed by António de Macedo – produced by Cinequanon & RTP & Kintop – sound assistant and boom operator | 1992 – 2016 |
Estrada de Nada [ short film; 35mm; WAV, ST 2.0 ] – directed by Nuno Canavarro – produced by David & Golias – sound designer and sound editor | 2015 |
Live Tropical Fish [ short film; MXF; WAV, ST 2.0 ] – directed and produced by Takashi Sugimoto – sound mixer | 2015 |
Desatino Dramático [ short film; DVCAM; WAV, ST 2.0 ] – directed by João Pinto Nogueira – produced by Três Vinténs – sound editor and sound mixer | 2013 |
My Window [ animation short film; 3D; WAV, ST 2.0 ] – directed and produced by Anabela Costa – sound designer and sound mixer | 2010 |
Sombras [ feature film; HDVCAM; WAV, ST 2.0 ] – directed by João Trabulo – produced by Periferia Filmes – sound designer, sound editor and sound mixer | 2007 |
Castelos no Ar [ short film; 35mm; WAV, ST 2.0 ] – directed by Vicente do Ó – produced by José Mazeda & Take 2000 – sound editor and sound mixer | 2007 |
Fantasia de Carnaval [ short film; MiniDV; WAV, ST 2.0 ] – directed by João Paulo Oliveira – produced by José Mazeda & Take 2000 – sound editor and sound mixer | 2007 |
O Inimigo Sem Rosto [ feature film; 35mm; WAV, ST 2.0 ] directed by José Farinha – produced by José Mazeda & Take 2000 – sound director, location sound recordist and sound editor | 2007 |
Dr. Débora [ short film; Mini DV; WAV, ST 2.0 ] – directed by Cláudia Bandeira – produced by Time Arts – sound director, location sound recordist, sound editor and sound mixer | 2006 |
Dos Rivales Casi Iguales [ feature film; DigitalCAM; WAV, ST 2.0 ] – directed by M. A. Calvo Buttini – produced by Basque Films & Salto de Eje & Life and Pictures & Jaleo Films & Digital K & Notro Films – sound director and location sound recordist | 2006 – 2007 |
A Cura [ short film; DVCAM; WAV, ST 2.0 ] – directed by José Barahona – produced by Contracosta | 2006 |
Punkt [ short film; Mini DV; WAV, ST 2.0 ] – directed by Cláudia Bandeira – produced by Time Arts – composer, musician, music producer and sound engineer | 2005 |
How I Feel [ short film; Mini DV; WAV, ST 2.0 ] – directed by Gonçalo Luz – produced by Animatógrafo II – sound editor and sound mixer | 2005 |
Alice [ feature film; 35mm; WAV, ST 2.0 ] – directed by Marco Martins – produced by Madragoa Filmes – post-production sound effects and wildtracks sound recordist | 2005 |
Alguém Olhará por Ti [ short film; 35mm; DAT, ST 2.0 ] – directed by Marta Pessoa – produced by Continental Filmes – sound director, location sound recordist and sound editor | 2004 |
Retrato da Velha Enquanto Senhora [ short film; DVCAM; DAT & WAV, ST 2.0 – Pro Tools ] – directed by Rita Palma – produced by Continental Filmes – sound director, location sound recordist and sound editor | 2004 |
Adriana [ feature film; DAT, ST 2.0 ] – directed by Margarida Gil – produced by José Mazeda & Take 2000 – sound director, location sound recordist, sound editor and sonoplasta | 2004 |
Pastoral [ short film; 35mm; DAT, ST 2.0 ] – directed by José Barahona – produced by Contracosta – sound director, location sound recordist and sound editor | 2004 |
City Run [ short film; Mini DV; WAV, ST 2.0 ] – directed by Cláudia Bandeira – produced by Restart [ 1º Vídeo Run de Lisboa ] – sonoplasta, sound editor and sound mixer | 2003 |
Mehr Licht [ short film; Mini DV; WAV, ST 2.0 ] – directed by Cláudia Bandeira – produced by Time Arts – sound designer and sound mixer | 2003 |
5 cm para a Morte [ short film; Mini DV; WAV, ST 2.0 ] – directed by Cláudia Bandeira – produced by Time Arts – sonoplasta, sound editor and sound mixer | 2003 |
De Manhã [ short film; DVCAM; DAT, ST 2.0 ] – directed by Luís Fonseca – produced by Contracosta – sound director and location sound recordist | 2003 |
Antes que o Tempo Mude [ feature film; DVCAM; DAT, ST 2.0 ] – directed by Luís Fonseca – produced by Contracosta – sound director and location sound recordist | 2003 |
Nós [ feature film; Super 16 mm; DAT, ST 2.0 ] – directed by Claúdia Tomaz – produced by Madragoa Filmes – sound director and location sound recordist | 2002 |
Cacilheiros, Alerta [ short film; 16 mm; DAT & WAV, ST 2.0 ] – directed by Pedro Sena Nunes – produced by Meridional – sound director, location sound recordist, sound editor, sound mixer and sonoplasta | 2002 |
Luz [ feature film; Mini DV; WAV, ST 2.0 – Pro Tools ] – directed by Martin Dale – produced by Formigueiro – sound editor and sound mixer | 2002 |
Aparelho Voador a Baixa Altitude [ feature film; 35mm; WAV – Pro Tools ] – directed by Solveig Nordlund – produced by Instituto Sueco do Cinema & Filmes do Tejo – Foley engineer | 2002 |
O Rapaz do Trapézio Voador [ feature film; 35mm & DVCAM; DAT, ST 2.0 ] – directed by Fernando Matos Silva – produced by José Mazeda & Take 2000 & Tráfico de Ideias – sound director, location sound recordist and sound editor | 2001 – 2002 |
Táxi [ animation short film; Betacam SP; WAV, ST 2.0 ] – directed by Isabel Aboim Inglez – produced by Animais – sonoplasta, sound enginner, sound editor and sound mixer | 2001 |
Quando Troveja [ feature film; 35mm; DAT, ST 2.0 ] – directed by Manuel Mozos – produced by AS Produções Cinematográficas – post-production wildtracks recordist [ not credited ] | 1999 |
No Caminho para a Escola [ short film; 35mm; DAT, ST 2.0 ] – directed by Marco Martins – produced by Diamantino Filmes – sound director | 1999 |
Chuva [ short film; 16mm & 35mm; DAT, ST 2.0 ] – directed by Luís Fonseca – produced by Contracosta – sound director and location sound recordist | 1999 |
António, Um Rapaz de Lisboa [ feature film; 35mm & DVCAM; DAT, ST 2.0 ] – directed by Jorge Silva Melo – produced by José Mazeda & Take 2000 & Tráfico de Ideias – sound director, location sound recordist and sound editor | 1999 |
As Palavras Derretem-se na Água [ short film; Betacam SP; ADAT & DAT, ST 2.0 ] – directed and produced by Pedro Sena Nunes – sonoplasta and sound mixer | 1998 |
Estou Perto [ short film; 35mm; DAT, ST 2.0 ] – directed by Sandro Aguilar – produced by Babel – sound designer, sound director and location sound recordist | 1998 |
A Janela (Maryalva Mix) [ feature film; 35mm; DAT, ST 2.0 ] – directed by Edgar Pêra – produced by Akademia Luso-Galáctica– sound director and location sound recordist [ not credited ] | 1997 – 2001 |
O Apartamento [ short film; 35mm; DAT, ST 2.0 ] – directed by João Milagre & João Tuna & Leonardo Simões & Luís Fonseca & Rui Poças & Tiago Costa & Vítor Joaquim & Vitor Nobre – produced by Produções Off – sound assistant | 1996 |
Não Basta Ser Cruel [ short film; 16mm & 35mm; DAT, ST 2.0 ] – directed by Marco Martins & João Braz – produced by João Canijo – sound director, location sound recordist, sound editor and sonoplasta | 1996 |
Contrabaixo [ short film; Betacam SP; WAV, ST 2.0 ] – directed and produced by Pedro Sena Nunes – sound editor and sound mixer | 1996 |
A Comédia de Deus [ feature film; 35mm; DAT, ST 2.0 ] – directed by João César Monteiro – produced by G.E.R. – sound assistant, location sound recordist and post-production wildtracks sound recordist | 1995 |
Eléctricos [ short film; 16mm; ¼’’ Analog Tape & DAT, ST 2.0 ] – directed by Pedro Sena Nunes – produced by Escola Superior de Teatro e Cinema – sound director and location sound recordist | 1994 |
O Assassino da Voz Meiga [ short film; 35mm; DAT, ST 2.0 ] – directed by Artur Ribeiro – produced by Costa do Castelo & Disfilmes – sound director and location sound recordist | 1993 |
Chá Forte com Limão [ feature film; 35mm; ¼’’ Analog Tape, ST 2.0 ] – directed by António de Macedo – produced by Cinequanon – sound director and location sound recordist | 1992 |
3 Maneiras Diferentes de Chegar a Lado Nenhum [ short film; 16mm; ¼’’ Analog Tape, ST 2.0 ] – directed and produced by José Eduardo Abreu – sound director and sound editor | 1991 |
School Location Studio Exercise [ short film; 16mm; ¼’’ Analog Tape, ST 2.0 ] – directed by Olga Ramos – produced by Escola Superior de Teatro e Cinema – sound director and sound editor | 1991 |
School Studio Exercise [ short film; 16mm; ¼’’ Analog Tape, ST 2.0 ] – directed by Olga Ramos – produced by Escola Superior de Teatro e Cinema – sound director and sound editor | 1990 |